The best streaming services in Australia

When Amazon Prime Video first launched locally, its library was paper-thin, housing a few tempting originals, and not much else. Over the last few years, Prime Video has flipped the script here in Australia, offering some of the latest and greatest mainstream films and TV shows, as well as some of the best original TV shows available and all for the consistent single-plan price of $6.99 per month. It’s hard to argue with that.

For that price, you get 4K streaming, three simultaneous streams, complete access to the TV and movie catalogue, plus all the shopping discounts and perks that come with being an Amazon Prime subscriber.

Prime Video’s original TV shows are some of the best in the biz. Look no further than the award-winning comedy The Marvelous Mrs Maisel, or the bloody superhero satire of The Boys. Prime Video’s successful revival of sci-fi epic The Expanse has also attracted a lot of viewers of the past few years.

Sure, Prime Video's expansive movie collection isn’t all gold but sift through the sludge and you’ll find some of the best of the best (and best of the worst) streaming.

There’s not a whole lot I’d change about Prime Video. Netflix is still the industry leader when it comes to user-experience and while Prime Video’s interface has improved over the years, I’d still like to see them keep iterating. 

If anything, signing into Prime Video is more painful than most services. While it’s in the interest of security, the Recaptcha verification checkpoint on browsers is a real pain when you’re trying to guess your password (we've got a lot of streaming subscriptions).

You know it, you love it, you’ve probably already got a subscription. In terms of technology and user experience, there’s no true rival to the original streaming giant Netflix. It’s taken a few hits over recent years, as broadcasters like NBC take back some of the service’s most popular shows (see The Office in the U.S.) for their own streaming services but Netflix’s insurmountable dedication to original content has kept it buoyed above the rest.

Netflix set the stage for streaming across the world and in many ways, no other service has quite managed to catch up. The years invested in the Netflix app, and advancements in streaming technology have paid off in the streaming goliath’s favour. You just won’t find another app (here in Australia, at least) that’s as user-friendly as Netflix.

Then there are the originals. Where to begin? House of Cards made history as the first-ever ‘web series’ to receive an Emmy nomination. The revered political thriller was followed up by Netflix’s next big hit, Stranger Things, a toy box full of 80s nostalgia and horror tropes. There are also mountains of under-appreciated originals that flew under the radar, The Midnight Gospel (from the creator of Adventure Time) and Maniac (from Cary Joji Fukunaga) are two personal favourites.

Sure, the data-driven approach to creating addictive content is a little bleak but there’s no denying the quality (and more importantly, popularity) of Netflix Originals like Stranger Things, The Crown and Bridgerton.

If anything, the biggest downside to Netflix’s popular originals is its cutthroat reputation for cancelling cult-favourites like Tuca and Bertie, The OA, and Mystery Science Theatre 3000.

Some of the service’s best TV shows have been unceremoniously kicked to the curb, TV shows like Ozark and Santa Clarita Diet. From an outsider’s perspective, these shows all seemed to be incredibly popular to me which begs the question: what is Netflix’s benchmark for success? And, dear God, don’t let it be Emily in Paris. It's quite bullish for a service that constantly raises its prices, completely removed its free trial and continues to try and block people from sharing accounts.

When Apple TV+ was first announced, we had zero confidence in its plan for watered-down original drama. At launch, there simply wasn’t much to watch, and a lot of what was there (like See) was almost universally panned.

Apple TV+ has grown since then, and subscribers are finally enjoying the fruits of their free trials with some top-shelf televisio and movies. Workplace sci-fi thriller Severance has nourished a lot of water cooler talk, and drama flick CODA became the the first streaming exclusive to win Best Picture when it took the gong at the 94th Academy Awards. Its earlier hits, like Mythic Quest: Raven's Banquet and Ted Lasso have continued to deliver the goods in their respective second seasons too.

Apple TV+ also wins points for venturing outside of its walled garden and onto a wider variety of devices, like Xbox, PlayStation 5 and even Chromecast with Google TV.

The only downside is, there simply isn't all that much to keep you subscribed once you burn through the originals. Its library is made up of originals alone so if you want to stream some classics, you'll be coughing up for a second streaming service. 

Disney’s monopoly on some of the biggest media franchises of all time means Disney+ scored the highest in our Box Office analysis. We scored each service on the number of Top 10 Box Office Blockbusters (International) it had from the last decade and it's no wonder Disney+ came out on top.

That monopoly is also why Disney is so keen to throw absurd amounts of cash at its originals. The Mandalorian wasn’t for everyone, but as big fans of Dave Filoni’s world-building in Clone Wars (and a secret prequel apologist), I found the second season to be a meaty serving of unabashed fan service.

For the whole family, there are all the Disney animation classics, from Aladdin to recent Pixar fare like Turning Red. And after hours, adults can switch over to Star for a more mature lineup with classics like Heat and Alien, and more recent hits like Jo Jo Rabbit and Fresh.

The only issue with Disney+ Originals is that they tend to be just as formulaic as the Marvel and Star Wars movies have become. It's good popcorn television but its Originals are feeling less significant by the day.

Shudder's spooky selection of curated flicks won’t be for everyone but it’s a nightmare come true for horror fans in Australia. It’s a service that streams horror movies and TV shows exclusively, so if that doesn't sound like your cup of tea, keep scrolling.

Movies like Host and La Llorona are fun, fresh takes on classic genre stories, and TV series like Cursed Films and Creepshow are interesting and well-produced at the very least.

There's a good mix of nationalities and languages represented. Only seven of those films were filmed in the United States, while the rest is made up of quality content hailing from South Korea, Indonesia, Belgium, France, Sweden, Guatemala, Canada and Norway. There's also a TV show from New Zealand called The Dead Lands which was developed in partnership with TVNZ.

Shudder won't be your first choice if overall library size is an important factor for you. There's roughly 170 movies on the service in Australia (just over 300 in the U.S.) so there's not a lot to dig through once you've chewed through the originals. Thankfully, the originals are releasing thick and fast. For the originals alone, Shudder is worth $6.99 per month, at least until we run out of originals to watch.

Some people aren’t looking to be challenged when they sit down to watch TV after a long day at work. They want all the drama and none of the nuance. Can you blame them? Say what you will about Hayu but it wears its trash TV-loving heart on its sleeve and it’s subscribers know exactly what they’re signing up for, Drama with a capital D, fresh out of the oven.

If you’re a reality TV tragic, there’s almost no looking past hayu. It’s got all of the reality greats: Kardashians, Jersey Shore and Real Housewives from just about every postcode you can imagine. Its menu might not be very exotic, but it has three staple ingredients for a carefree night on the couch: drama, dating, and just a little bit of murder. At $6.99 per month, the reality is, Hayu is worth it for a lot of Australians.

Hayu suffers the same problem as a few niche services in that some of its biggest series are already available to stream on other services you might already have. Below Deck, The Real Housewives and Top Chef are all available on Binge, for example. Granted, many off the spin-offs are only available on Hayu (such as Below Deck: Down Under), so there's still value for true reality TV connoisseurs. And that's what it boils down to really. If you can't get enough of the previously mentioned series, Hayu is the only place that will continue to sate your appetite long after the credits have rolled. It's just a shame Hayu didn't manage to lock down the streaming rights for the new Kardashians series. 

Paramount Plus might be overlooked as a streaming platform, but there are definitely some gems in there that are at the very least worth the 7-day free trial. You can catch up on loads of Channel 10 content like The Bachelor and Survivor (hello on-demand Jonathan LaPaglia), locally-made TV series like Five Bedrooms and Spreadsheet and live comedy performances from the likes of Celia Pacquola, Matt Okine, Anne Edmonds and Geraldine Hickey.

There are also some promising up-and-coming originals, such as Ziwe, Yellowjackets, 1883 (the Yellowstone prequel), The Offer, Halo and plenty of ways for Trekkies to go boldly where no streaming service has gone before. It's also home to Twin Peaks and Daria, which will be enough to net subscriptions from at least two huge cult fanbases. 

Like other niche services on this list, the value of Paramount+ is only muddied by the fact that, outside of the originals, you can stream most of its content on free-to-air or other streaming services. 

BritBox sounds like a great idea in theory - a one-stop-shop for all your favourite British programs, both old and new. What’s not to like? Unfortunately, the lack of original content, limited features and rare new additions makes it a harder sell than it should be. Still, the website and apps are neatly designed and easy to use, and it’s still well worth a look if you’re a true anglophile.

BritBox is on the cheaper side of the pricing spectrum at $8.99 per month or $89.99 for the full year.

It's appropriately priced. While there are classics like Midsomer Murders and Fawlty Towers, and contemporary hits like Luther and Line of Duty, there are a few glaring omissions for a service that claims to offer the best the Brits have to offer. There's no The Great British Bake Off, no Sherlock, no Downton Abbey and none of the holy trinity of British soap; Eastendsers, Coronation Street or Emmerdale.

That said, there are bound to people who subscribe for the back catalogue of Doctor Who and the latest episodes of Line of Duty alone.

On our scoreboard, Binge and its predecessor Foxtel Now came to a tie so it’s dealer's choice and this dealer recommends Binge over Foxtel Now. Price is the number one metric we rated providers on and Binge is simply a more affordable and more reliable streaming solution than Foxtel Now. 

The adoption rate of services like Prime Video, Netflix and Stan prove that Australians want to pay for their entertainment but if you a) lock content behind an unjustified premium, and/or b) make it too difficult to access, pirates are gonna pirate. That’s what happened when Foxtel locked the record-shattering Game of Thrones behind a $25 premium and an app that dropped the ball on game night.

Binge hit the ground running (okay, more of a brisk walk) when it first launched and we'’d happily pay $10 a month for access to that primo HBO, but it’s a service that’s currently hamstrung by the powers that be.

The developers at Streamotion (the same team that built Kayo) deserve a pat on the back for spinning up an app that is relatively pleasant to use. Right now, it’s the cheapest and friendliest way to stream some of HBO, FX and AMC’s latest, like Devs and Succession, or digging into the back catalogue of classics such as The Sopranos, The Leftovers, and The Walking Dead.

The Nine-owned streaming service had an incredibly strong start when it first beat Netflix to the punch in Australia. Mostly because it didn’t come empty-handed. Riding off the coattails of one the biggest TV shows of all time (Breaking Bad), Stan entered the fray with a killer exclusive: Better Call Saul. You couldn’t go ten metres in the city without seeing Bob Odenkirk’s loveable face on a billboard.

When it first launched, a few good exclusives wouldn’t make up for Stan’s awful user-interface but like Prime Video, Stan has come a long way in the years between, eventually becoming an integral part of the Australian streaming landscape.

Stan threw its weight behind one of the best horror movies of 2020, Natalie Erika James’ Relic and developed No Activity, one of the best Aussie comedies of recent memory. 

But at the end of the day, Stan just seems to always have what we're looking for when it comes to classic movies. With recent reboots and sequels, Stan delivers the goods for Halloween,  Top Gun, The Dark Knight. 

The truth is, despite its many failings, Foxtel Now is still Australia’s premium streaming destination for TV shows and movies. Despite the mass exodus from the service post-Game of Thrones, Foxtel hasn’t thrown in the towel for Now.

Out of every streaming service we ranked, Foxtel Now had the most popular TV shows and movies, and the highest number of box office blockbusters after Disney+

Foxtel Now’s user experience and overall performance is god awful. Not only did it completely collapse when it mattered most across eight seasons of Game of Thrones, but even when it did work, the video would buffer constantly to the point where I’d just give up watching it on Foxtel Now altogether.

Lastly, Foxtel insists on capping its various streaming services at 1080p for on-demand titles and 720p for linear TV. That’s not a huge issue, 1080p HD is just fine, but with the competition leaning hard into 4K/HDR, you’d think that Foxtel would step up to the plate. Might it have something to do with the fact Foxtel charges a premium for its 4K iQ4 box and access to 4K channels ($99 per month minimum)? Who’s to say?