Nothing Headphone (a) Review: Smart Subtractions

Nothing's second set of over-ear headphones make the right subtractions.

Nothing Headphones A
Nothing Headphone (a)
4 out of 5 stars
4
Drivers
40mm
Battery life
Up to 135 hours
Starting price
$199
Fergus Halliday
Apr 16, 2026
Icon Time To Read4 min read
Icon CheckLocalized ByKelly Huh
Quick verdict: Nothing Headphone (a)

Nothing's new over-ear headphones cut a few corners when it comes to noise-canceling and material design, but make up for those subtractions with longer battery life and a more affordable price. 

pro
Pros
pro Surprisingly good microphone
pro Affordable price
pro Extensive battery life
con
Cons
con Lesser material design
con Noise-canceling is about what you'd expect

Last year, Nothing transplanted its trendy and transparent take on tech from smartphones to headphones. Now, it’s making the latter a little cheaper in the form of a new budget-friendly set of noise-canceling headphones branded as the Nothing Headphone (a).

The price is most of the story here, and the conclusion most will reach isn’t that complicated. The built quality isn’t as slick and the sound quality isn’t as sharp, but if you want the look of the Headphone (1) with less of a hit to your wallet, then the Headphone (a) is going to be an easy sell.

How much does the Nothing Headphone (a) cost?

Starts at $199
Nothing Headphones A

The Headphone (a) is available at a price of $199. That puts them right between the CMF Headphone Pro and Headphone (1) in terms of price. You might even be able to save a few bucks if you shop around as well. 

Store
Price
More info

Nothing Headphone (a): design and features

The Headphone (a) combines the cheap price of the CMF Headphone Pro with the luxury-grade looks of the Headphone (1). As with the former, there’s a range of colorful variants on offer. Then, like the latter, there’s a throwback transparent design and a set of robust physical keys that are used to control playback.

This time around, you can even use one of the buttons to remotely control the camera shutter on your smartphone.  

For as much as the Headphone (a) takes after its premium-grade counterparts, the build quality is not as nice. The headband is a close match, but the earcups are made of much cheaper – or at least cheaper-feeling – materials. The Headphone (a) is decently durable though, with an IP52 rating for water and dust damage and relatively lightweight at just 310g.

Nothing's new nifty noise-canceling cans will play nice with all the usual fast-pairing standards across both Android and Windows, so setting them up is as friction-free as these things get. 

As with the rest of Nothing’s audio accessories, the Headphone (a) can be used straight out of the box but integrates with the Nothing X app. This can be used to tinker with the sound profile and equalizer settings, toggle things like noise-canceling, and tweak the control scheme.  

When it comes to codecs, the Headphones (a) supports both LDAC, Hi-Res, and Spatial Audio. It’s nice to see those here, though more ambitious audiophiles seem more likely to settle on the flagship Headphone (1) than what’s on offer here.

The noise-canceling, though not terrible, is merely okay. Most of what you're getting here is the passive benefits of an over-ear design. If you're listening to music at a decent volume, you'll probably feel pretty isolated while wearing the Headphone (a). However, if you're looking to rely on them for a long-haul flight, you're probably going to find them a little lacking. 

Nothing Headphone (a): performance

Nothing Headphones A

Courtesy of the 40mm drivers inside, the Headphone (a) mostly manages to sound as good as it looks. What’s more, that listening experience comes with more longevity than most. 

Fully-charged, the Headphone (a) offers around 75 hours of playback with ANC enabled (or 135 hours with ANC disabled) on a single charge. In practice, those lofty figures mostly translate into reality. I was able to go weeks without having to charge back up. 

Subject to our usual testing playlist, the Nothing Headphones A performed surprisingly well. As you might expect, their results put them roughly between the Headphone (1) and the CMF Headphone Pro. They nailed the layered soundscapes in Radiohead’s “The National Anthem” and Opeth’s “The Funeral Portrait” but were a little less exceptional when it came to broader soundscapes like Pink Floyd’s “Comfortably Numb.”

The microphone setup on the Nothing Headphone (a) is more noteworthy. Listening back to the samples, I was surprised by just how close it sounds to the Headphone (1). If call quality is a priority, I don’t think the Headphone (a) is gonna replace your Jabra’s anytime soon, but they’ll get the job done in a pinch. It definitely sounds better than what you can get out of the microphone on the CMF Headphone Pro. 

Nothing Headphone (a): Is it worth the money?

Nothing Headphones A

Again, the song sung here is not that complicated. The Nothing Headphone (a) will get you most of the way to the looks and performance offered by their premium-grade headphones at a much thriftier price. Those who would prefer to go thriftier still may be better served by the CMF Headphone Pro, but they’ll have to sacrifice the legible looks and settle for something less eye-catching.

Still, the Headphone (a) does well enough that I wouldn’t hesitate to recommend it more readily than its premium counterparts. In a time of record inflation, getting you most of the way to what you want at almost half the asking price is a tough one to beat.

Product
Rating
List Price
Battery life
Fast charging
Noise-canceling
Availability

Pricing information is current as of April 16, 2026 and is subject to change at any time.

How we came up with our rating

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How we came up with our rating

Every single set of over-ear wireless headphones we review is based on our first-hand experience using the product over a period of time. This review period is typically a few weeks but can sometimes be longer or shorter depending on the nature of the product.
Value is ultimately the lens we evaluate headphones through. It’s never a question of whether headphones are good, but whether they’re good for the money. When we review over-ear wireless headphones, we start off by evaluating the product according to following five main considerations.

The first of these is the sound they produce. Audio quality is pretty important for headphones, after all. While audio products can be quite subjective for many reasons, we have standardized testing procedures across the team designed to help us look at the category in a consistent way.

When it comes to assessing sound quality, we use a standardized testing playlist. This is typically embedded in the review itself and available via Spotify if you want to play along at home. Meanwhile, every microphone we test is available online via SoundCloud if you want to judge for yourself.

After that, we consider the amount of thought that's gone into the overall level of comfort and design. Are they comfortable to wear over extended periods of time? Do the headphones feel well made, or a bit cheap?

Next up, we evaluate the features. How long does the battery last? Is the connectivity reliable? Is the noise-canceling good? Do they pass the headbang test? Does the product have something worth calling out, like Apple’s unique approach to multipoint in the AirPods family?

Finally, we consider the vibe and overall experience offered by the hardware (and software) involved. What's the overall experience? The intangible, expressed in a slightly more tangible way. The parts that you can’t just encapsulate through a checklist of features.

After more information? You can read more about how we review over-ear headphones here.

Fergus Halliday
Written by
Fergus Halliday is a journalist and editor for Reviews.org. He’s written about technology, telecommunications, gaming and more for over a decade. He got his start writing in high school and began his full-time career as the Editor of PC World Australia. Fergus has made the MCV 30 Under 30 list, been a finalist for seven categories at the IT Journalism Awards and won Most Controversial Writer at the 2022 Consensus Awards. He has been published in Gizmodo, Kotaku, GamesHub, Press Start, Screen Rant, Superjump, Nestegg and more.

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